Skip to main content

marker demo of SpaceShip

  • Testing a Microsoft Surface for digital art along with Krita. The latter is proving to be a very capable drawing/painting program. In some aspects equal to - if not better than - Photoshop! MS Surface is good but not as good as a wacom tablet.…

  • I quick illustration depicting a true story (or so I am told) of a tank crew rescuing an australia soldier in the Vietnam war. Rough sketchy styling but required some research and accuracy as vetaran's seeing it would be critical. Painted in…

  • A recent game interface job I completed for an Adelaide based iphone/mobile developer. Final graphics included animation on the handkerchief as the rope moves and animated icons on the menu screen. Graphics are all based on photos then heavily…

  • It's not really directly game related but I thought I'd post it anyway (Let's pretend it's a character study). This is where my recent illustration energies had been going rather than into concept art related topics. Created for a charity Auction…

  • Revisiting the first fleet of ships for Tsumea Team C project. One new design with the other 3 polished/modified small to moderate amounts. Whilst the details are still loose I'm satisfied with the overall designs. fingers crossed the rest of the…

  • More thumbnails for Team C game. These are my first round of ships for the opposing team. More angular and blocky in form with a relatively raw/industrial finish compaired to the other set.

  • More thumbnails. These ones are variations working a single design idea.

  • update of potential artillery/ planet attack ship.

  • A small update on concept art for Team C project.

  • Some initial sketches whilst I warm up for the task of producing some concepts for tsumea's team C project.

Submitted by Johnn on

Okay, I foolishy said that i might post a marker demo for Makk (or someone...!?) so here it is. Sorry for the crappola quality.

equipment)2 markers (50% and 20& warm gray Letraset markers)thick and thin black pens and white gouache (opaque water based paint.) You can also see the size of the final image under that stuff. this drawing was almost too small and if I do a more detailed version i will enlarge it.

1)Pen drawing with thin pen, done over pencil drawing

2) thicken line weights - looking to seperate section and define space/depth. By this stage i have a fair idea of where i am going to add tone.

In this case I have decided on lightSouce from (more or less) above. So horozontal surfaces will be white, angled sufaces light gray and vertical surfaces dark gray. (There are other factors I consider when deciding on tonal value but they are not relevant to this sample)

3) light tone added - Where possible I work in small sections. The larger the area you 'colour in' in one go the harder it is to avoid patchy results.
[img]http://www.sumea.com.au/simages2/258_markers_1-3.jpg[/img]

4)time for a cup of tea [:)]

5) Light tone complete

6) Add dark tone to vertical surfaces (sorry for the crap image quality again...that light yellow should look white!)

7) Because I have used white as a major surface tone rather than just small highlights I decided to do a dark toned background to lift/divide the image from the white page.
[img]http://www.sumea.com.au/simages2/258_markers_4-7.jpg[/img]

Final)Touchup of my messy marker work (I did this one infront of telly so there was some colouring out side the lines) and additions of small highlights with Gouache and fine brush. (I scanned this one rather than photo so the colour etc is more accurate)
[img]http://www.sumea.com.au/simages2/258_markers_final.jpg[/img]

Submitted by MoonUnit on Fri, 11/06/04 - 6:19 AM Permalink

thats a very handy guide there john, thanks for that :)

Submitted by Makk on Sat, 12/06/04 - 5:54 AM Permalink

THANKYOU :)
Its given me a guide to use for my next drawings! :)
You work light to dark for all your marker work? This will feel odd as I always work dark to light.
*saves to HD*

Submitted by denz on Sun, 13/06/04 - 9:10 PM Permalink

wow, thanks johnN :D

Submitted by Johnn on Wed, 16/06/04 - 7:47 AM Permalink

Light to dark as the general rule for all transparent media, including markers. To break the process down further into distinct proceedures you could:
1)line drawing and everything that is black
2)fill in everything except white highlights with the light marker
3)fill in all shadow areas with dark marker (ie going over some sections of the light marker)
4)touchup and add reflected light with gouache and/or white pencil

this would allow you to focus on each tone individually. Handy if you are not 100% sure what to make light and dark before you commence. The other handy step that i didn't do in this case is to scan and do multiply prints of the line drawing. Takes the pressure off if you know a mistake is not going to ruin your original line drawing :)

Posted by Johnn on

Okay, I foolishy said that i might post a marker demo for Makk (or someone...!?) so here it is. Sorry for the crappola quality.

equipment)2 markers (50% and 20& warm gray Letraset markers)thick and thin black pens and white gouache (opaque water based paint.) You can also see the size of the final image under that stuff. this drawing was almost too small and if I do a more detailed version i will enlarge it.

1)Pen drawing with thin pen, done over pencil drawing

2) thicken line weights - looking to seperate section and define space/depth. By this stage i have a fair idea of where i am going to add tone.

In this case I have decided on lightSouce from (more or less) above. So horozontal surfaces will be white, angled sufaces light gray and vertical surfaces dark gray. (There are other factors I consider when deciding on tonal value but they are not relevant to this sample)

3) light tone added - Where possible I work in small sections. The larger the area you 'colour in' in one go the harder it is to avoid patchy results.
[img]http://www.sumea.com.au/simages2/258_markers_1-3.jpg[/img]

4)time for a cup of tea [:)]

5) Light tone complete

6) Add dark tone to vertical surfaces (sorry for the crap image quality again...that light yellow should look white!)

7) Because I have used white as a major surface tone rather than just small highlights I decided to do a dark toned background to lift/divide the image from the white page.
[img]http://www.sumea.com.au/simages2/258_markers_4-7.jpg[/img]

Final)Touchup of my messy marker work (I did this one infront of telly so there was some colouring out side the lines) and additions of small highlights with Gouache and fine brush. (I scanned this one rather than photo so the colour etc is more accurate)
[img]http://www.sumea.com.au/simages2/258_markers_final.jpg[/img]


Submitted by MoonUnit on Fri, 11/06/04 - 6:19 AM Permalink

thats a very handy guide there john, thanks for that :)

Submitted by Makk on Sat, 12/06/04 - 5:54 AM Permalink

THANKYOU :)
Its given me a guide to use for my next drawings! :)
You work light to dark for all your marker work? This will feel odd as I always work dark to light.
*saves to HD*

Submitted by denz on Sun, 13/06/04 - 9:10 PM Permalink

wow, thanks johnN :D

Submitted by Johnn on Wed, 16/06/04 - 7:47 AM Permalink

Light to dark as the general rule for all transparent media, including markers. To break the process down further into distinct proceedures you could:
1)line drawing and everything that is black
2)fill in everything except white highlights with the light marker
3)fill in all shadow areas with dark marker (ie going over some sections of the light marker)
4)touchup and add reflected light with gouache and/or white pencil

this would allow you to focus on each tone individually. Handy if you are not 100% sure what to make light and dark before you commence. The other handy step that i didn't do in this case is to scan and do multiply prints of the line drawing. Takes the pressure off if you know a mistake is not going to ruin your original line drawing :)