3D Artist

Recently completed VTuber commission of a cute little Jerboa Knight! 
Was a pleasure to work on such a fun character and I learnt a couple of new things about stylized shaders and rendering along the way. 
Made in Blender and Unity with Warudo used for real time tracking.

You can view some videos of the tracking and animation in action at the ArtStation link below.

Another VTuber project from earlier this year, this was a personal project where my goal was to learn applying realistic face tracking to a non human character.

The character is my own design, he is an alien primate based on the crowned lemur and mandrill. I gave him some big whiskers to experiment with areas of expression outside the main facial features. 

I've shared some of the character renders here but you can check my ArtStation to view the face tracking and more breakdowns.

This was a commissioned project of a Twilight Princess inspired 3D VTubing avatar. My first time creating a VTuber, so I learnt a lot and enjoyed bringing the character to life!

I was responsible for the modeling, texturing, rigging, animating and tracking integration. It was created primarily in Blender and Substance painter, with final setup in Unity and Warudo. The avatar utilizes ARkit perfect sync for face tracking using an iphone.

You can see more breakdowns and some videos of the tracking and animation via my ArtStation link :)

Hellboy fan-made project. I focused on creating a game-ready character with an emphasis on anatomy, material definition, and clean topology. Special attention was given to achieving strong silhouette readability and believable surface detail while maintaining efficiency for real-time use. 

Sculpted in ZBrush, clothes were created in Marvellous Designer, retopologized and UVs in Maya, textured in Substance Painter, and rendered in Marmoset Toolbag 4.

renders i made while working on a gamejam with my ex
its filled with inside jokes and other references
at some point id like to revisit the renders to remove these things and make the pixel count consistent on all the machines but i dont really have any real reason to

just some practise to get back into the swing of things 
modelled in Maya and rendered with Arnold

for my first CGI Environments assignment, i was required to make a stylized low poly outdoor environment 
i decided on an alien crash site, inspired by Monument Valley and the Australian outback - and im really happy with how it turned out

3D renders i created to be used in my games project assignment for uni - we made a dating sim taking place at a university 
the style was inspired by Richard Tongeman's ArtStation posts while working on Ring of Fire 
the bedroom renders are what im most proud of 
the painting in the bedroom renders were illustrated by @blorbel on Instagram, whereas the other posters were ai generated in 2022 (back when they were nonsensical images, not stolen from artists)

im not gonna lie im just trying to fill out my portfolio 
i love wizards i wanted to do something inspired by like. those weird huge wizard telescopes 
curtain, blanket and pillow by @0phthal on instagram https://www.instagram.com/0phthal/

ive been listening to less than by nine inch nails too much so the music video compelled me to make this

Set of stylized Asteroids created as environment props for "Max Mustard" From Toast Interactive. 

These assets were among the first I created during my time with Toast Interactive. For these Asteroids I was responsible for Modelling, Unwrapping, Sculpting & Texturing the asset. 

With the asteroid set we wanted to get a lot of versatility out of a few variations (1.5m, 3m, 16m), sculpting these assets was a blast!

Art Direction by Jonathan Bradley:

https://www.artstation.com/jmbradley 

Prop Model of a target & target activated blockade wall used in "Max Mustard" by Toast Interactive. 

I was responsible for modelling, sculpting & texturing these assets which are used in several mini-games and levels throughout the game.

Max Mustard is a Virtual Reality platforming game so for all assets created for the game we had to be highly conscious of optimizing the asset for performance. As an artist it is always a joy watching people play the levels these assets are used in and trying to take them out!

Art Direction & Tweaks by Jonathan Bradley

https://www.artstation.com/jmbradley 

Created over the course of five weeks, this was a challenge to push both my abilities and program knowledge.

Created using Maya, Marmoset, Substance Painter and Designer, Zbrush and Marvelous designer. Put together in Unreal 4

More images can be found on my ArtStation

30k Triangles. This Treadle Sewing Machine based on various vintage sewing machines was created using Maya and Substance Painter. Rendered in Marmoset.

Visit my ArtStation for 4k Images

Part of a 3 panel series of Japanese Tokyo Architecture. In this second panel, we explore the streets of Takeshita in Harajuku. A popular tourist destination for fashion, crepes and sweet sweet candy!
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Everything was created from originally from reference from the streets of Takeshita. Slight variation is applied as I can't be 1:1. I used engines like Blender Eevee, Vray and Unreal to create the different shots, using what better suited the situation. I did all the geometry however in Maya. I utilised Quixel assets for this project and a few sketchfab dogs 
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Thank you to all who provided feedback during this project.

Sci-fi city scene created using 3D and 2D tools

Just a work in progress sculpt of a bulldog in Zbrush

An environment created for a personal  project. Modelled and textured in Blender.

School work. Modelled in Maya. Textured in Substance Painter. Compiled in Unity.

School work. Modelled in Maya. Textured in Substance Painter. Compiled in Unity.

School work. Modelled in Maya. Textured in Substance Painter. Compiled in Unity.

This was my first character design and model, the brief was to design a character who was a scientist.

Upon completing my university degree and revising my portfolio, I made the decision that the original character asset that I created was not portfolio-worthy so decided to re-model Newton based on the same concept but with a more stylised approach.  

Texturing coming soon!

3D sculpt based on a design by Luigi Lucarelli. Used z-brush, Maya, Blender and Substance Painter.

Based on the character from the film "The Conjuring 2" directed by James Wan.

Triangle count is 12,956 with 4K textures rendered in UE4 with Raytracing.

Some say that he is made up of exactly 15,023 triangles, and that all of his skin and clothing, come from 2 shaders???

All we know is that he is NOT the Stig, but he is the Stig's digital cousin!

Been watching a lot of old Top Gear episodes lately and decided have a go at creating the Stig.

Using Ray traced reflections in Unreal 4